“What she gives us is something more subtle and strangely ephemeral. In a way, her best stories are acts of haunting” – Richard Kadrey, Introduction.
The Very Best of Caitlín R. Kiernan was not my introduction to Kiernan, as I have encountered one of her short stories in the Unicorn Anthology, and I simply devoured her novel The Drowning Girl. She’s an incredible writer, one whom I greatly admire for her dark atmosphere and unique fantastical cosmic horror. This collection includes some of her best short works over the years ranging from 2005-present day. As readers we get glimpses into Kiernan’s growth as an author in the last fourteen years witnessing different styles and plots. Most of these short works have been either published independently in SFF magazines, or anthologized thematically, but here her strongest short works have been collected under one name. Kiernan has received the James Tiptree, Jr. and Bram Stoker Awards in the past, and is an author whose work I would recommend you explore.
Kiernan’s style of writing is not very traditional and her use of language is dark, disturbing, and grotesque, while simultaneously drawing you in and holding your attention. The reading equivalent of: ‘I can’t look away.’ Like in The Drowning Girl here too we find that water and fluidity is a reoccurring symbol in Kiernan’s works. I found that her stories managed to incorporate different arts in the mix, specifically film which was a very interesting take. For instance, “The Prayer of Ninety Cats” tells the story of a movie critic watching a film about Elizabeth Báthory, the Blood Countess weaving in the various arts, film, theory, and historical figures. Such interconnected plot-lines will be found in most of these stories. You will find twins killing people, a unique take on the unicorn, a science journalist investigating lighting strikes and finding the unexpected, art critics interviewing models of famous paintings, art exhibitions, and violins made of human remains. You will find a different fictional take on the “dysfunctional family” (and that is putting it mildly), and pays homage to Sci-fi classics with the incorporation of non-responsive abandoned ships. And as I mentioned, this collection covers a lot of ground: you will find a bit of everything in this book. What is truly intriguing and captivating in Kiernan’s work is her atmosphere and writing style. I will warn readers, however, that aside from the grotesque, there are many instances of swearing in this work (it did not interfere with my personal reading experience). It’s a thrilleresque experience, rough around the edges.
This collection is not for everyone, and that’s okay. Kiernan writes in a dark niche corner of literature, and I think she directs her writings at a very specific kind of audience. I would recommend this collection to you if you enjoy the works of: Shirley Jackson, Victor Lavalle, Nick Mamatas, Angela Carter, David Lynch, H.P. Lovecraft, or Cosmic Horror. If you have not read any of the listed authors, but you want to get out of your comfort zone and try something different, Kiernan might be a great place to start.